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"as original as they
come, listening to everyone but beholden to no single
influence; Eales demands your attention with the force of his
musical personality and keeps it with his musicianship"
- Bud Kopman ( Cadence )
"Geoff Eales is unique. When you talk to him one word
comes up over and over, eclectic. Eclectic is a word he uses
to describe some of his influences, for example Chick Corea
and Herbie Hancock. It also accurately describes, not only
Geoff's playing, but also his life.....any performance by
Geoff will refer to the varied influences and experiences of
his life so far : a splendid synthesis of all that he knows
from Messiaen through Mancini to Bill Evans." - Jack
Kenny ( Jazz Views )
These quotations perfectly
sum up the inspirational pianist/composer Geoff Eales. A truly
remarkable man, there are few musicians in the world who have
been master of so many styles and who possess the breadth of
vision as this most creative of Welshmen. Throughout his long
and distinguished career he has worked with pop stars, country
singers, opera divas, variety artists, funk legends, played on
countless sound tracks, TV shows and jingles, been a featured
soloist with symphony orchestras and has composed chamber
works, symphonies and concertos. He is also something of a
musical pedagogue. A Doctor of Music, he could have quite
easily pursued a brilliant career as an academic. As if this
isn't enough, he just happens to be one of the UK's most
gifted jazz improvisers.
Geoff's incredible musical journey began in the late 1950's in
the South Wales Valleys. His father Horace, a well -known
local dance band pianist, sowed the seeds for a life in music
when he taught his son the 12 - bar blues at the age of eight.
He also introduced the young Eales to the sounds of piano
stylists Erroll Garner, George Shearing and Oscar Peterson as
well as bop masters Bud Powell, Charlie Parker and Dizzy
Gillespie. Though his parents realized from the outset that
jazz was Geoff's first love, they felt it imperative that he
should broaden his musical horizons. Classical piano studies
ensued which continued when he attended the local Grammar
school - Lewis School for Boys, Pengam. He also took up the
French Horn, played with the Glamorgan Youth Orchestra and a
few years later the National Youth Orchestra of Wales.
At the age of eighteen Geoff won a place at Cardiff University
to study music. Three years later he was awarded a B.Mus (
First Class Honours ), a year later a Masters Degree. When he
enrolled on a Ph.D course in 1973, it seemed that he was
destined to become a professor at some conservatoire or other.
For his doctorate he wrote the epic "American
Symphony", composed the most moving setting of Dylan
Thomas's "In the Beginning" for Tenor, Horn and
Piano and researched the works of the great American composer,
Aaron Copland.
Geoff left university in 1975 but, instead of pursuing the
expected academic career, suddenly embarked on a much more
exciting and adventurous journey. He cruised the world on a
luxury Greek ocean liner for a year as pianist in a Greek
band. For four months he was based in New Orleans where he
jammed with many American jazzmen such as Buddy Tate, Jimmy
McPartland, Earl Warren and Major Holley, swapping notes with
that excellent mainstream pianist and fellow Welshman, Dill
Jones. University life was soon becoming a distant memory as
Geoff revelled in the hurly burly of the jazz world.
In
1977 Geoff moved to London, joining the leading society band
of the day - Joe Loss. A year later he was offered the piano
chair in the BBC Big Band. The Big Band Special Radio Sessions
were particularly fruitful for developing Geoff's potential as
a jazz improviser. He remained at the BBC for four and a half
years, working with some of the best arrangers in the business
including Nelson Riddle, Billy May and Bob Farnon. By the time
he had left the organisation he had been featured in well over
a thousand broadcasts.
After the BBC years Geoff quickly became one of the most
sought-after pianists and musical directors on the London
session scene. He was the technical musical advisor for the
1984 American TV mini series "Ellis Island" starring
Richard Burton and Faye Dunaway and musical associate and
principal arranger on the Wayne Sleep/ Bonnie Langford/ Arlene
Phillips dance spectacular - "The Hot Shoe Show".
For fifteen years Geoff enjoyed a highly successful career as
a "jobbing" musician, working with a huge array of
conductors, composers and singers - Henry Mancini, Lalo
Schifrin, Jerry Goldsmith, Andrew Lloyd Webber, Rosemary
Clooney, Adelaide Hall, Tammy Wynette, Shirley Bassey, Andy
Williams, Kiri TeKanawa, Jose Carreras. The list goes on and
on.
He could have easily continued along the well-trodden path of
a top class studio musician for many years to come. But this
wasn't enough for Geoff. As the last Millenium was drawing to
a close, he felt an inner need to return to his roots and to
the music that so inspired him in his formative years - Jazz.
The release of his first album as leader in 1999,
"Mountains of Fire", represented a new beginning for
this vastly experienced and eclectic musician. It received
rave reviews and encouraged him to dig deeper into his musical
psyche. In 2001 Geoff released his second solo album,
"Red Letter Days", to great critical acclaim. A year
later the emotionally charged "Facing the Muse" hit
the racks. In 2004 he threw caution to the wind when he
released his first completely solo piano album,
"Synergy", on the enterprising Basho label.
During the last few years Geoff has performed at some of the
world's leading jazz clubs including the Blue Note Clubs in
Osaka and Fukuoka, New York's Birdland, the Jazz Bakery in Los
Angeles, Louisville's Jazz Factory and London's Ronnie
Scott's. He has also played ay major jazz festivals including
Cork, Brecon, Edinburgh, Grimsby, Greenwich, Marlborough,
Swanage and East of England.
The concept of the interactive modern jazz piano trio which
originated with the great Bill Evans is very close to Geoff's
heart. For the last five years Geoff's regular partners in his
own trio have been the brilliant ex- Nucleus/Soft Machine
bassist Roy Babbington and the dynamic and ubiquitous drummer
Mark Fletcher.
website http://www.geoffeales.com
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